Chanticleer, Sing Joyfully

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January 2026
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Celebrate the power and purity of the human voice with Chanticleer’s “Sing Joyfully” concert. Known as "an orchestra of voices," the Grammy Award-winning male vocal ensemble offers a breathtaking program that spans centuries — from sacred works by Machaut and Byrd to American folk songs and contemporary spirituals. Each piece is brought to life with precision, emotion, and vocal brilliance. Whether performing Renaissance polyphony or modern arrangements by Joni Mitchell and Majel Connery, Chanticleer captivates audiences worldwide with its seamless blend and musical finesse. Don’t miss this extraordinary journey through choral history!

 

Program and cast

PERFORMERS

Chanticleer
Artistic Director: Tim Keeler

Tavian Cox, Countertenor

Luke Elmer, Countertenor

Cortez Mitchell, Countertenor

Bradley Sharpe, Countertenor

Logan Shields, Countertenor

Adam Brett Ward, Countertenor

Vineel Garisa Mahal, Tenor

Matthew Mazzola, Tenor

Andrew Van Allsburg, Tenor

Andy Berry, Bass

Jared Graveley, Bass-Baritone

Matthew Knickman, Baritone

 

PROGRAMS

Guillaume de Machaut

Gloria (Messe de Notre Dame) (14th century)

William Byrd

Vigilate (1589)

Orlando di Lasso

Musica dei donum Motet

William Byrd

Sing joyfully unto God

Anonymous

Shenandoah. Folk song from America (Arranged by Marshall Bartholomew, James Erb)

Wade in the water. Spiritual (Arranged by Stephen M. Murphy)

Michael McGlynn

Dúlamán

James Woodie Alexander, Jesse Whitaker

Straight street (Arranged by Joseph Jennings)

Majel Connery

I am a cloud (The rivers are our brothers) (Arranged by Doug Balliett)

Joni Mitchell

Both sides now (Arranged by Vince Peterson)

Wiener Konzerthaus

The Wiener Konzerthaus ( Vienna Concert House or Hall) is one of the largest and most artistically progressive institutions in international musical life. During the course of a season, which extends from September to June, some 750 wide-ranging events take place and more than 600,000 visitors can listen to around 2,500 different compositions. With this comprehensive and varied selection, the Wiener Konzerthaus – together with the Vienna State Opera House and the Musikverein – is central to Vienna’s reputation as one of the world’s leading music capitals.

From its earliest days, the Wiener Konzerthaus has held the highest cultural aims and artistic mission: «To act as a venue for the cultivation of fine music, as a meeting point for artistic endeavour, as a home for music and a cultural centre for Vienna». It was in this spirit that the Konzerthaus was inaugurated on 19 October 1913 with a festive concert attended by Emperor Francis Joseph I. To mark the occasion, Richard Strauss wrote the «Festliches Präludium op. 61», which was followed by Beethoven’s Ninth Symphony. This programme combination, comprising a contemporary work and a masterpiece from the past, served as a model for the Wiener Konzerthaus’s future direction: today, too, an awareness of tradition and the joys of innovation form the main pillars of the Konzerthaus’s artistic identity.

 

Access to the Wiener Konzerthaus

 

Public transport:


Short walk from the U4 Stadtpark Station: 10 min walk from the U4/U1 Karlsplatz Station, or take the 4A bus.

From the tram and bus stops at Schwarzenbergplatz, accessed by D, 2 & 71 trams and 3A & 4A buses. The 4a bus stop is at Hotel Am Konzerthaus.

Taxi:
The nearest taxi stands are at the Hotel Intercontinental in the Johannesgasse and at Hotel Am Konzerthaus on the Heumarkt.

Restaurants next to:

Gmoakeller

Hotels in immediate vicinity:

Hotel am Konzerthaus and Intercontinental

 

Great Hall

In the heart of the building (which consists of more than 600 rooms) lies the Konzerthaus’s flagship, the Grosser Saal (Great Hall). Designed with a sense of space and classical balance, its stage has provided the setting for many memorable concerts over the years. In this room, artists, audiences and atmosphere blend into a harmonious triad.


Home to world-famous orchestras, virtuoso soloists, renowned conductors and legendary jazz musicians, the Great Hall can accommodate an audience of 1,800 and offers the perfect venue for a wide variety of musical activity. The Great Hall has emerged from the major renovation with renewed splendour and, despite improvements in technical installation and audience comfort has continued to conserve its original elegance. Its unique atmosphere ideally lends itself to the broad range of artistic activities offered by the Vienna Konzerthaus.

 

Mozart Hall

Open and relaxing, welcoming and intimate, with its incomparable appeal, the Mozart Hall constitutes a jewel of international musical life. The perfect setting for all types of chamber music, from lute and Lieder recitals to string quartets and chamber orchestras, it can accommodate an audience of around 700 – an ideal size in which to experience the intimacy of chamber music and recital performances.

The Mozart Hall enjoys world-wide acclaim on account of its unique acoustics. This distinction makes it a top favourite with leading ensembles and soloists – as well as a popular venue for recordings. This was taken into account during the major renovation of the building: as with all other rooms in the Konzerthaus, the Mozart Hall is directly linked to a recording studio and a technical control room.
 

Schubert Hall

 

With its festive character, the Schubert-Saal presents the perfect model of a music salon, the restored use of the windows follwing the renovation having returned the room to its elegant, airy appearance.

Equipped with around 320 seats, it lends itself to a wide range of chamber-music concerts, as well as to receptions, dinners and lectures. It is home to the popular lunchtime concert series, as well as to events which enable promising young musicians to experience a professional concert stage. Many a musical career has been launched in the Schubert Hall of the Vienna Konzerthaus.
 

Seating capacity: 320
Auditorium: 240 m²
Podium: 50 m²

 

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