Iiro Rantala HEL Trio

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Saturday 11 November 2006 was a particularly emotional evening. After almost 20 years together and thousands of con-certs all over the world, the Finnish band Trio Töykeät with pianist Iiro Rantala at the helm gave their very last performance. But endings are also new beginnings, and even though it cannot have been easy to disband what was probably the most influential – and was certainly the most humorous – piano trio in Finnish jazz, the decision to bring Trio Töykeät to an end did give Rantala the opportunity to try out a wide variety of different line-ups in both jazz and classical music, with occasional excursions into rock and pop. It was, notably, Rantala's ACT debut album Lost Heroes in 2011 which kickstarted his second international career. This was follo-wed by further solo and duo albums, spectacular piano summits with Michael Wollny and Leszek Możdżer, among others, as well as orchestral recordings with the Deutsche Kammerphilharmonie Bremen and members of the Berliner Philharmoniker. More re-cently, Rantala has written a complete Christmas oratorio for the choir Cantores Minores and an opera Die Zaubermelodika for the Komische Oper in Berlin. He has also made several musical pro-grammes for Finnish television and delivers a fortnightly podcast in English, Algoyrtmi, about European jazz.

But Rantala has never let go of the idea of playing in a trio again, and now, almost 20 years after the end of Trio Töykeät, the time has come for a new group, the Iiro Ran-tala HEL Trio. Rantala says: "I'm very happy that I was able to try so many different things out after Trio Töykeät. But just before the pandemic, I had a few gigs with bassist Dan Berglund and drum-mer Anton Eger, and ever since then I've been dreaming of finally having a regular trio again. However, Dan Berglund was far too busy, and so Anton Eger suggested the UK bassist Conor Chap-lin, with whom he had already played for a long time in Marius Ne-set's band. It's always good when the working relationship between bassist and drummer is already established. The band worked perfectly from the outset, everyone had a lot of fun on and off stage. Anton and Conor are on the road a lot, so I'm very happy that this has worked out for us together."

The Iiro Rantala HEL Trio is named after the code for Hel-sinki airport, from where Rantala's musical ventures tend to start. It sounds both new and familiar. And if there is a hint of nostalgia in the air, it is not coming from the bandleader: "Here's a little story," says Rantala. "Anton Eger and Marius Neset, as child-ren, had both heard Trio Töykeät at the Molde Festival. It was one of their first jazz concerts and they became real fans. When we started the HEL Trio, Anton, who knows an enormous amount of repertoire, really wanted to play the Töykeät pieces ‘Gadd A Tee’ and ‘Met By Chance’. My thought was that after nearly two de-cades, it was fine. We changed them a bit, one is now called ‘Tee Four Three’, the other ‘Cabaret Perdu’." ‘Liberty City’, a little-played but much-appreciated track by Jaco Pastorius, reflects Rantala's love of American funk and soul. The piece sits naturally alongside original compositions such as ‘Stockholm Syndrome’, in which Rantala plays with the typical melancholy of Scandinavian jazz...but does it in a way – his way – which manages to be both tongue-in-cheek and deeply felt.

Program and cast

Iiro Rantala: piano
Conor Chaplin: bass
Anton Eger: drums

PORGY and BESS Jazzclub

Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .

The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.

Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "

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