Orchester Wiener Akademie

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September 2025
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The American star baritone Thomas Hampson is considered one of the best opera singers in the world. His opera repertoire includes more than 80 roles, and his discography comprises more than 170 albums. He has been honored countless times for his outstanding artistic achievements, including with the Met Mastersinger Award, the Concertgebouw Prize, and the GRAMMY Award. In 2025, opera star Thomas Hampson will present an exciting program of works by Mozart, Schubert, and Beethoven, together with conductor Martin Haselböck and the Orchester Wiener Akademie.

 

The Orchester Wiener Akademie and its founder Martin Haselböck are internationally acclaimed for their unique original sound. They regularly perform at the most prestigious festivals and in the most important concert halls around the world. Martin Haselböck has worked with Claudio Abbado and Riccardo Muti, among others. In addition to the Orchester Wiener Akademie, he conducts other top orchestras such as the Vienna Symphony Orchestra, the Gewandhausorchester Leipzig, the Los Angeles Philharmonic, and the Sydney Symphony Orchestra.

Program and cast

Cast:
Orchester Wiener Akademie, Orchestra
Thomas Hampson, Baritone
Martin Haselböck, Conductor

 

Program:
Ludwig van Beethoven:
Overture in C minor to "Coriolan" op. 62 (1807)

Wolfgang Amadeus Mozart:
"Hai già vinta la causa ... Vedrò, mentr'io sospiro" ("The trial already won?") (Recitative and Aria of the Count from "Le nozze di Figaro" K 492) (1785–1786)
"Rivolgete a lui lo sguardo" K 584 (1789)
Contredanse in C major K 587 "The Victory of the Hero of Coburg" (1789)
A German War Song K 539 "I wish to be Emperor" (1788)
Contredanse in C major K 535 "La Bataille" (1788)

Franz Schubert:
"Ganymed" D 544 (1817)
"Sei mir gegrüßt, o Sonne" (Aria from "Alfonso und Estrella" D 732)

Ludwig van Beethoven:
Symphony No. 3 in E-flat major op. 55 "Eroica" (1803)

 

15 September 2025

Performers

Vienna Academy Orchestra

John Malkovich , Martin Schulse (reading)

August Zirner , Max Eisenstein (reading)

Ilia Korol , Leitung

 

Programme

Kathrine Kressmann Taylor

Address unknown. Briefroman (1938)
Reading in English

Johann Sebastian Bach

Allegro (Piano Concerto in D minor BWV 1052) (1735–1740 ca.)

Gavotte (Orchestersuite No. 3 D-Dur BWV 1068) (1717–1723 ca.)

Largo (Concerto in G minor BWV 1056 (reconstruction of the original version for violin, strings and basso continuo)) (1740)

Allegro (Trio Sonata No. 1 in F major, BWV 525) (c. 1727)

Allegro assai (Concerto for Violin, Strings and Basso continuo in A minor, BWV 1041) (1717–1723)

Concerto in C minor BWV 1060 (reconstruction of the original version for violin, oboe and strings) (1730 ca.)

Wiener Konzerthaus

The Wiener Konzerthaus ( Vienna Concert House or Hall) is one of the largest and most artistically progressive institutions in international musical life. During the course of a season, which extends from September to June, some 750 wide-ranging events take place and more than 600,000 visitors can listen to around 2,500 different compositions. With this comprehensive and varied selection, the Wiener Konzerthaus – together with the Vienna State Opera House and the Musikverein – is central to Vienna’s reputation as one of the world’s leading music capitals.

From its earliest days, the Wiener Konzerthaus has held the highest cultural aims and artistic mission: «To act as a venue for the cultivation of fine music, as a meeting point for artistic endeavour, as a home for music and a cultural centre for Vienna». It was in this spirit that the Konzerthaus was inaugurated on 19 October 1913 with a festive concert attended by Emperor Francis Joseph I. To mark the occasion, Richard Strauss wrote the «Festliches Präludium op. 61», which was followed by Beethoven’s Ninth Symphony. This programme combination, comprising a contemporary work and a masterpiece from the past, served as a model for the Wiener Konzerthaus’s future direction: today, too, an awareness of tradition and the joys of innovation form the main pillars of the Konzerthaus’s artistic identity.

 

Access to the Wiener Konzerthaus

 

Public transport:


Short walk from the U4 Stadtpark Station: 10 min walk from the U4/U1 Karlsplatz Station, or take the 4A bus.

From the tram and bus stops at Schwarzenbergplatz, accessed by D, 2 & 71 trams and 3A & 4A buses. The 4a bus stop is at Hotel Am Konzerthaus.

Taxi:
The nearest taxi stands are at the Hotel Intercontinental in the Johannesgasse and at Hotel Am Konzerthaus on the Heumarkt.

Restaurants next to:

Gmoakeller

Hotels in immediate vicinity:

Hotel am Konzerthaus and Intercontinental

 

Great Hall

In the heart of the building (which consists of more than 600 rooms) lies the Konzerthaus’s flagship, the Grosser Saal (Great Hall). Designed with a sense of space and classical balance, its stage has provided the setting for many memorable concerts over the years. In this room, artists, audiences and atmosphere blend into a harmonious triad.


Home to world-famous orchestras, virtuoso soloists, renowned conductors and legendary jazz musicians, the Great Hall can accommodate an audience of 1,800 and offers the perfect venue for a wide variety of musical activity. The Great Hall has emerged from the major renovation with renewed splendour and, despite improvements in technical installation and audience comfort has continued to conserve its original elegance. Its unique atmosphere ideally lends itself to the broad range of artistic activities offered by the Vienna Konzerthaus.

 

Mozart Hall

Open and relaxing, welcoming and intimate, with its incomparable appeal, the Mozart Hall constitutes a jewel of international musical life. The perfect setting for all types of chamber music, from lute and Lieder recitals to string quartets and chamber orchestras, it can accommodate an audience of around 700 – an ideal size in which to experience the intimacy of chamber music and recital performances.

The Mozart Hall enjoys world-wide acclaim on account of its unique acoustics. This distinction makes it a top favourite with leading ensembles and soloists – as well as a popular venue for recordings. This was taken into account during the major renovation of the building: as with all other rooms in the Konzerthaus, the Mozart Hall is directly linked to a recording studio and a technical control room.
 

Schubert Hall

 

With its festive character, the Schubert-Saal presents the perfect model of a music salon, the restored use of the windows follwing the renovation having returned the room to its elegant, airy appearance.

Equipped with around 320 seats, it lends itself to a wide range of chamber-music concerts, as well as to receptions, dinners and lectures. It is home to the popular lunchtime concert series, as well as to events which enable promising young musicians to experience a professional concert stage. Many a musical career has been launched in the Schubert Hall of the Vienna Konzerthaus.
 

Seating capacity: 320
Auditorium: 240 m²
Podium: 50 m²

 

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