Rusalka

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Rusalka – Antonín Dvořák | Opera
Lyric fairy tale in three acts
Libretto by Jaroslav Kvapil

 

Act 1 – approx. 55 min
Intermission – approx. 25 min
Act 2 – approx. 45 min
Intermission – approx. 25 min
Act 3 – approx. 55 min

 

 

Storyline

 

Act 1

In contrast to the playful wood elves, the mermaid Rusalka does not tease the newly awakened water sprite, but confesses to him her longing for a human form and a human soul and thus the fulfillment of her love for the prince she has often observed by the lake.

 

Although the water sprite warns Rusalka, he advises her to seek Ježibaba's help. Ježibaba appears and concludes a contract with the love-struck Rusalka: Rusalka will be given human form but will be struck dumb. If she is unable to win the prince's love permanently in this way, she will only be able to return to the mermaid kingdom if her lover dies.

 

Act 2

Rusalka agrees, is transformed and is actually able to awaken the love of the prince who soon appears. However, their planned wedding is prevented by a mysterious, strange, seductive princess who appears unexpectedly and draws the prince to her.

When the prince makes a declaration of love to the princess and dismisses his planned marriage to Rusalka as a mere adventure, Rusalka tries to win him back with her last hope, but is coldly rejected by him. The water sprite then curses the prince and drags Rusalka back into the depths of the water.

 

Act 3

A little later, Ježibaba offers Rusalka, who is estranged from everyone, a complete return to the mermaid kingdom: She gives Rusalka a dagger with which she is to murder her faithless lover. But Rusalka throws the dagger away.

 

When the remorse-stricken prince comes to the lake, Rusalka appears to him as a will-o'-the-wisp. He asks her to free him from guilt and, although Rusalka warns him against her deadly embrace, he insists on one last kiss. He dies in her arms and Rusalka sinks into the lake.

Program and cast

The Prince – Piotr Beczała
The Foreign Princess – Eliska Weissová
The Water Goblin – Alexander Vinogradov
Rusalka – Nicole Car
Ježibaba – Monika Bohinec

 

Conductor – Robert Jindra
Director – Sven-Eric Bechtolf
Set Design – Rolf Glittenberg
Costumes – Marianne Glittenberg
Lighting – Jürgen Hoffmann
Choreography – Lukas Gaudernak

Vienna State Opera

Public Transport
 

Subway lines: U1, U2, U4
Trams: 1, 2, D, J, 62, 65
Buses: 59A
Local Railway: Badner Bahn
Stops: Karlsplatz / Opera

Taxi stands are available nearby.
 

Parking



Parking is only € 6, - for eight hours!

The Wiener Staatsoper and the ÖPARK Kärntner Ring Garage on Mahlerstraße 8, under the “Ringstraßengalerien”, offer the patrons of the Vienna State Opera a new, reduced parking fee. You can park in the Kärntner Ring Garage for up to 8 hours and pay only a flat fee of € 6, -. Just validate your ticket at one of the discount machines inside the Wiener Staatsoper. The normal rate will be charged for parking time greater than 8 hours. The validation machines can be found at the following coat checks: Operngasse, Herbert von Karajan-Platz, and the right and left and balcony galleries.

Important: In order to get the discount, please draw a ticket and do not use your credit card when entering the garage!

After devaluing your ticket in the Wiener Staatsoper you can pay comfortably by credit card or cash at the vending machines.

The machines accept coins and bills up to 50.- Euro. Parking time longer than 8 hours will be charged at the normal rate.
 

History



The structure of the opera house was planned by the Viennese architect August Sicard von Sicardsburg, while the inside was designed by interior decorator Eduard van der Nüll. It was also impacted by other major artists such as Moritz von Schwind, who painted the frescoes in the foyer, and the famous "Zauberflöten" (“Magic Flute”) series of frescoes on the veranda. Neither of the architects survived to see the opening of ‘their’ opera house: the sensitive van der Nüll committed suicide, and his friend Sicardsburg died of a stroke soon afterwards.

 

On May 25, 1869, the opera house solemnly opened with Mozart's Don Giovanni in the presence of Emperor Franz Joseph and Empress Elisabeth.
The popularity of the building grew under the artistic influence of the first directors: Franz von Dingelstedt, Johann Herbeck, Franz Jauner, and Wilhelm Jahn. The Vienna opera experienced its first high point under the direction of Gustav Mahler. He completely transformed the outdated performance system, increased the precision and timing of the performances, and also utilized the experience of other noteworthy artists, such as Alfred Roller, for the formation of new stage aesthetics.

 

The years 1938 to 1945 were a dark chapter in the history of the opera house. Under the Nazis, many members of the house were driven out, pursued, and killed, and many works were not allowed to be played.

 

On March 12, 1945, the opera house was devastated during a bombing, but on May 1, 1945, the “State Opera in the Volksoper” opened with a performance of Mozart's THE MARRIAGE OF FIGARO. On October 6, 1945, the hastily restored “Theaters an der Wien” reopened with Beethoven's FIDELIO. For the next ten years the Vienna State Opera operated in two venues while the true headquarters was being rebuilt at a great expense.

 

The Secretary of State for Public Works, Julius Raab, announced on May 24, 1945, that reconstruction of the Vienna State Opera would begin immediately. Only the main facade, the grand staircase, and the Schwind Foyer had been spared from the bombs. On November 5, 1955, the Vienna State Opera reopened with a new auditorium and modernized technology. Under the direction of Karl Böhm, Beethoven’s FIDELIO was brilliantly performed, and the opening ceremonies were broadcast by Austrian television. The whole world understood that life was beginning again for this country that had just regained its independence.

 

Today, the Vienna State Opera is considered one of the most important opera houses in the world; in particular, it is the house with the largest repertoire. It has been under the direction of Dominique Meyer since September 1, 2010.

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© Wiener Staatsoper
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