Altenberg Trio

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1 April, 2019/28 May,2019
Altenberg Trio
Christopher Hinterhuber
piano
Ziyu Hey
violin
Christoph Stradner
violoncello

Program and cast

 

MARCH 21 , 2023

PERFORMERS

Altenberg Trio Search for performances with this artist.,Enable a reminder when this artist goes on sale.

Christopher Hinterhuber Search for performances with this artist.,Enable a reminder when this artist goes on sale.

piano

Ziyu Hey Search for performances with this artist.,Enable a reminder when this artist goes on sale.

violin

Christopher Stradner Search for performances with this artist.,Enable a reminder when this artist goes on sale.

violoncello

PROGRAM

Ludwig van Beethoven

Trio for piano, violin and cello in B flat major, op. 97, "Archduke Trio"
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- Break -
 

Sergey Vasilyevich Rachmaninoff

Trio élégiaque No. 2 in D minor, Op. 9
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End approx.: 21:30

JUNE 14, 2023

PERFORMERS
Altenberg Trio
Christopher Hinterhuber
piano

Christopher Stradner
violoncello

Ziyu Hey
violin

PROGRAM
Gabriel Urbain Faure

Trio en rè, Op. 120
George Enescu

Trio for piano, violin and cello in A minor

- Break -

Maurice Ravel

Trio for piano, violin and cello
End approx.: 21:30

16 OCTOBER

7.30 p.m. – 9.30 p.m. Brahms Hall
PERFORMERS
Altenberg Trio
Christopher Hinterhuber | Piano
Ziyu Hey | violin
Christoph Stradner | violoncello
PROGRAM
Franz Schubert: Trio for piano, violin and cello in E flat major, D 897, "Notturno"
Mieczysław Weinberg: Trio for piano, violin and cello in A minor, op. 24

TUESDAY 14 NOVEMBER
Altenberg Trio
Anna Knopp • Thomas Selditz

Rachmaninoff • Haydn • Shostakovich

7.30 p.m. – 9.30 p.m. Brahms Hall
PERFORMERS
Altenberg Trio
Christopher Hinterhuber | Piano
Ziyu Hey | violin
Christoph Stradner | violoncello
Anna Knopp | violin
Thomas Selditz viola
PROGRAM
Sergei Wassiljewitsch Rachmaninoff: Trio élégiaque No. 1 in G minor
Joseph Haydn: Trio for piano, violin and cello in D major, Hob. XV:24
Dmitri Shostakovich: Quintet for piano, two violins, viola and cello in G minor, op. 57

27.02.2024

PERFORMERS
Altenberg Trio
Christopher Hinterhuber | Piano
Ziyu Hey | violin
Christoph Stradner | violoncello
PROGRAM
Wolfgang Amadeus Mozart: Divertimento for piano, violin and cello in B flat major, KV 254
Leonard Bernstein: Trio for piano, violin and cello, op. 2
Antonín Dvořák: Trio for piano, violin and cello No. 4 in E minor, Op. 90, "Dumky Trio"

30.04.2024

PERFORMERS
Altenberg Trio
Christopher Hinterhuber | Piano
Ziyu Hey | violin
Christoph Stradner | violoncello
PROGRAM
Ludwig van Beethoven: Concerto for piano, violin, cello and orchestra in C major, op. 56, "Triple Concerto"; arranged by Carl Reinecke
Felix Mendelssohn Bartholdy: Trio for Piano, Violin and Violoncello No. 2 in C minor, Op. 66

28.05.2024

PERFORMERS
Altenberg Trio
Christopher Hinterhuber | Piano
Ziyu Hey | violin
Christoph Stradner | violoncello
Wally Rabbit | flute
Matthew Schorn | clarinet
PROGRAM
Ernst Krenek: Triphantasia, op. 63
Arnold Schönberg: Chamber Symphony for 15 Solo Instruments No. 1 in E major, Op. 9; Authorized transcription for flute, clarinet, violin, cello and piano by Anton Webern
Franz Schubert: Trio for piano, violin and cello in B flat major, D 898

 

Musikverein Brahms Hall

For many years, this hall was known only as the “Kleine Musikvereinssaal”, until in 1937, during the 125th anniversary year of the Gesellschaft der Musikfreunde in Wien, it was given a name that truly reflects its importance: the Brahms Saal. Johannes Brahms not only performed in person in this hall, he was also behind the very first concert to be performed here, by Clara Schumann on 19 January 1870. The standards set that day have been maintained ever since. The Brahms Saal remains one of the most prized locations for the greatest chamber music ensembles and lieder singers performing in the world today.

 

With just under of 600 seats, the hall is designed to showcase the intimate aspects of classical music. The hall acoustics are perfectly attuned to deliver this: the Brahms Saal – 32.50 metres long, 10.30 metres wide und 11 metres high – possesses a similar acoustic brilliance to the Große Musikvereinssaal.

 

When the Musiverein building was opened in 1870, the Kleine Musikvereinssaal was described as a “true little treasure chest”. It was even suggested that this hall might warrant greater praise and wonderment than the Große Musikvereinssaal: “One might even wish to award the prize to this hall for its peacefulness and simple grandeur.” It is abundantly clear that Theophil Hansen’s design for the Brahms Saal created an architectonic masterpiece of the Historicism period. His commitment to the “Greek Renaissance”, evident in the design’s allusions to classical Hellas, make this concert hall an authentic temple of chamber music.

 

In 1993 the Brahms Saal underwent a comprehensive restoration programme. The restoration project involved consulting the original designs held at the Print Room at the Academy of Fine Arts in Vienna.  This made it possible to reconstruct the original colour scheme created by Hansen as the Musikverein’s architect: green walls, red columns and the liberal use of gold.

 

When the Brahms Saal reopened to the public in its new form in 1993, a Vienna newspaper wrote: “Without wishing to raise expectations too high, this has been transformed into the most beautiful, magnificent and prestigious chamber music concert hall we are likely to find anywhere in the world.”

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