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Barry Guy's Blue Shroud Band

VenuePORGY and BESS Jazzclub
CalendarThu 29 Oct 2026
Synopsis/Details

After his great compositions for the London Jazz Composers Orchestra and the Barry Guy New Orchestra, Barry Guy has written a large scale work for a new international ensemble.

Guy’s work, The Blue Shroud, is an homage to the painting Guernica by Pablo Picasso. It is for the people of the Basque town, who were victims of the Nazi German air force bombardment during the Spanish Civil War. 

Guy also wants us to remember the occasion in 2003, when the Guernica-tapestry at the UN Security Council was obscured by a blue drape as Colin Powell made the case for invading Iraq. The strength of art against the power of the military, government and the media.

With friendly support of PRO HELVETIA

Cast

Barry Guy: bass, director
Savina Yannatou: voice
Jordina Milla: piano
Ben Dwyer: guitar
Percy Pursglove: trumpet
Maya Homburger: violin
Fanny Paccoud: viola
Marc Unternährer: tuba
Torben Snekkestad: soprano, tenor saxophone
Michael Niesemann: alto saxophone, oboe, oboe d’amore
Per Texas Johansson: tenor saxophone, clarinet
Julius Gabriel: bariton, soprano saxophone
Lucas Niggli: percussion
Ramon Lopez: percussion

Venue
PORGY and BESS Jazzclub

Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .

The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.

Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "

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