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Classical Concert in the World-Famous Musikverein

VenueMusikverein Golden Hall
CalendarSun 27 Sep 2026 - Tue 29 Jun 2027
Synopsis/Details

The Vienna Musikverein is not only Vienna's most beautiful and traditional location for classical concerts. It is also home to highly renowned concert halls. The Golden Hall (New Year’s Day Concert) and the Brahms Hall attract visitors from around the globe who wish to experience an evening of pure musical enjoyment.

In 1863, the neoclassical architect Theophil von Hansen was commissioned to design the new building of the Society of Music Lovers (Musikverein). The construction was made possible thanks to the generous Christmas gift from Emperor Franz Joseph I, who gave the Society of Music Lovers the area opposite the St. Charles Church (Karlskirche). To honour the gift, a building plan was created that would turn the magnificent building into an architectural highlight of the Ringstraße. The Musikverein was opened with a festive concert in 1870.

To this day, the Musikverein remains a centre of international concert life. Every year, the Vienna Philharmonic's New Year’s Concert is broadcast from the Golden Hall to millions of viewers around the world. In addition to the Golden Hall and the Brahms Hall, the Musikverein is home to four modern concert spaces: the Glass Hall, Metal Hall, Stone Hall and Wooden Hall.

 

The Great Hall is considered the jewel of the Vienna Musikverein and one of the best concert halls in the world. The beauty of the architecture, as well as the magical acoustics that envelop and enchant every visitor, earned it the nickname the “Golden Hall”.

 

In addition to the Great Hall, the Vienna Musikverein houses another exceptionally beautiful concert hall: the Brahms Hall. It was named in 1937 after Johannes Brahms, one of the most significant composers of the 19th century. With just under 600 seats, the Brahms Hall is an excellent venue for classical music performances, and it also offers ideal conditions as a chamber music hall.

 

 

⚠️ Important information: According to the house rules, children under 5 years old are not allowed to attend concerts at the Musikverein and will be refused entry despite having a valid ticket.

  • How do I receive my tickets?
    • Once you have completed the form, submitted it, and payment has been successfully processed, you will receive an email containing the e-ticket(s) and the invoice.
  • Is there a dress code?
    • No, but we kindly ask to mind the special venue.
Cast

Orchestra: Camerata Classica
Alexander Znamenskiy, Conductor
Lucia Hall, Violin

 

PROGRAMME

ℹ️ Please note: The programme may vary depending on the concert, including the composers, works and order of performance.

 

Sturm und Drang – Music Full of Passion

Dramatic minor keys, stark contrasts and driving rhythms shape the world of Sturm und Drang. Johann Christian Bach, Joseph Haydn and Wolfgang Amadeus Mozart reveal how a new and immediate expressive power emerged in the 18th century. Haydn’s Symphony No. 39 in G minor impresses with its unusual scoring for four horns, while Mozart’s Symphony No. 25 in G minor combines youthful fire with a sense of fateful drama.

 

Vivaldi – The Four Seasons

Birdsong, thunderstorms, dance and wintry cold: in Antonio Vivaldi’s The Four Seasons, nature becomes music. The four violin concertos are among the best-known works of the Baroque era, combining virtuosic solo passages with vivid musical imagery. Spring brings birdsong and festive melodies, summer oppressive heat and a dramatic thunderstorm, autumn leads into a world of dance and celebration, while winter comes alive through cold, movement and sharp contrasts. Few works demonstrate more impressively how directly music can evoke images and emotions.

 

Mozart – Between Drama and Perfection

Mozart’s Symphonies Nos. 25 and 40 in G minor are among his most striking works in this key. The early Symphony K. 183 is filled with youthful restlessness and dramatic energy, while the later K. 550 unfolds a deeper world of tension and expression. The famous Jupiter Symphony, K. 551, ultimately demonstrates Mozart’s unique ability to combine melodic richness with formal clarity and masterful counterpoint.

 

Beethoven – Expression and Musical Power

Ludwig van Beethoven’s Fifth Symphony is one of the most influential works in classical music. From a short, unmistakable motif, a great musical arc unfolds – driven by tension, rhythmic force and the liberating progression from C minor to C major.

The Romance for Violin and Orchestra in F major reveals a very different side of his musical language: its lyrical melody and intimate dialogue between solo violin and orchestra open up a delicate, song-like world of expression.

 

Mendelssohn – Early Masterpieces

The Symphonic Movement in C minor (1823) and the posthumously published Violin Concerto in D minor (1822) offer a glimpse into Mendelssohn’s early creative years. Both works reveal a young composer who already knew how to combine classical form with melodic inventiveness and expressive use of sound.

Venue
Musikverein Golden Hall

This building is located on Dumbastraße/Bösendorferstraße behind the Hotel Imperial near the Ringstraße boulevard and the Wien River, between Bösendorferstraße and Karlsplatz. However, since Bösendorferstraße is a relatively small street, the building is better known as being between Karlsplatz and Kärntner Ring (part of Ringstraße loop). It was erected as the new concert hall run by the Gesellschaft der Musikfreunde, on a piece of land provided by Emperor Franz Joseph I of Austria in 1863. The plans were designed by Danish architect Theophil Hansen in the Neoclassical style of an ancient Greek temple, including a concert hall as well as a smaller chamber music hall. The building was inaugurated on 6 January, 1870. A major donor was Nikolaus Dumba whose name the Austrian government gave to one of the streets surrounding the Musikverein.
 

Great Hall - Golden Hall

“As high as any expectations could be, they would still be exceeded by the first impression of the hall which displays an architectural beauty and a stylish splendour making it the only one of its kind.” This was the reaction of the press to the opening of the new Musikverein building and the first concert in the Großer Musikvereinssaal on 6 January 1870.

The impression must have been overwhelming – so overwhelming that Vienna’s leading critic, Eduard Hanslick, irritatingly brought up the question of whether this Großer Musikvereinssaal “was not too sparkling and magnificent for a concert hall”. “From all sides spring gold and colours.”

 

 

 

 

 

Brahms Hall

"In order not to promise too much it can be said that it has been made into the most beautiful, most magnificent, perfect example of a chamber concert hall that any of us knows in the world.” This was the reaction of a Vienna daily newspaper in October 1993 as the Brahms-Saal was presented to the public after extensive renovation work.

The surprise was perfect. It was a completely new hall. In contrast to the Grosse Musikvereinssaal, the Brahms-Saal had changed its appearance quite considerably over the years. When and how it acquired that slightly melancholy duskiness that was known to music lovers before 1993 cannot be precisely documented.

 

 

 

Glass Hall

As a venue for events from concerts to luxury banquets, the Glass Hall / Magna Auditorium is not only the largest of the Musikverein's 4 new halls but also the most flexible in terms of usage.

Hub podiums enable the smooth transformation of the concert hall into a conference centre, the cinema into a ballroom, or the stage into a catwalk. State-of-the-art equipment for sound, lighting, video and widescreen digital projection provide the ideal conditions for half-scenic productions.
The Glass Hall / Magna Auditorium was designed by the Viennese architect Wilhelm Holzbauer. With a height of 8 metres, the hall (including the gallery) can play host to up to 380 visitors.

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