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Luisa Muhr, Jessica Pavone, Eric Arn And Kenneth Jiménez

VenuePORGY and BESS Jazzclub
CalendarMon 14 Sep 2026
Synopsis/Details

 

 

Luisa Muhr is an Austrian–New Yorker experimental vocalist and interdisciplinary artist whose work centers on voice, sound, and physical movement. Her practice spans improvisation, composition, installation, performance art, movement/dance, and experimental music theater. Muhr released her debut solo album TEUFLIN/SHE-DEVIL, praised by The New York City Jazz Record for its “utterly haunting vocals” and described as “a rewarding journey for courageous musical explorers.” This was followed by In Trialogue, a live recording at Vienna's Porgy & Bess (2024), and her third album, Under Over World (2025). Austria’s Skug Magazin described Muhr as “a marvelous singer,” praising her “soul-warming timbre, impeccable intonation, variation, and remarkable ability to invent words and sounds spontaneously while singing.” Artists and ensembles Muhr has worked with include Claire Chase, Shelley Hirsch, Meredith Monk, Arturo O’Farrill, William Parker, John Zorn, and the New York Philharmonic.

Cast

Luisa Muhr: voice
Jessica Pavone: viola
Eric Arn: guitar
Kenneth Jiménez: bass

Venue
PORGY and BESS Jazzclub

Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .

The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.

Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "

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