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Monster With Joe McPhee, Susanna Gartmayer, John Edwards And Mariá Portugal

VenuePORGY and BESS Jazzclub
CalendarThu 17 Dec 2026
Synopsis/Details

Joe McPhee, renowned jazz and free jazz saxophonist and trumpeter, has gathered around him a dynamic trio of younger musicians under the tag MONSTER. At the grand young age of 85, McPhee has drawn together a group that is adept, versatile, and highly inventive, to complement his own powerful modus operandi. 

On the second of his three nights at Cafe Oto, featuring double bassist John Edwards, Austrian bass clarinettist Susanna Gartmayer, and Brazilian percussionist Mariá Portugal, McPhee’s quartet stretched the envelope in all directions over two dazzling sets. Each musician brought a wealth of experience to the stage, and several short solos and duo combinations added to the rich, inventive undercurrent that ran through the performance, gently overseen by McPhee’s leadership.

Edwards set out MONSTER’s stall, strumming his bass strings with the end of his bow, then extracting the sound of a didgeridoo from his bass, followed by a crack of his hand slapping the woodwork. Gartmayer’s bass clarinet hovered and was quietly phased in to gradually mine the lower registers, while Portugal added metallic textures with her cymbals using hands, sticks and bow.

As the trio’s cross-currents intensified, the volume built up. When McPhee stepped in, the text on an audience member’s t-shirt caught his eye and he recited the words in the improvised vocalese associated with his own poetry, blending them with fog horn blasts on his tenor sax, building up to an Ayler-esque density.

Portugal was highly active, exploiting the full drum kit with imaginative flair, using tiny mallets on glockenspiel keys, twirling a large cymbal from the centre with her hand, and shaking tiny hand-held bells. McPhee brought a tone of slow sadness to reflective vocals from Portugal, while Gartmayer pushed the potential of the bass clarinet on a trajectory that Eric Dolphy might have followed – in a way, similar to Wadada Leo Smith’s pushing of the boundaries set up by Miles.
Susanna Gartmayer and Joe McPhee. Drawing copyright 2025 by Geoff Winston. All Rights Reserved

Cast

Joe McPhee: tenor saxophone, vocals
Susanna Gartmayer: bass clarinet
John Edwards: bass
Mariá Portugal: drums, vocals

Venue
PORGY and BESS Jazzclub

Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .

The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.

Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "

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