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Peter Bernstein Quartet

VenuePORGY and BESS Jazzclub
CalendarSun 27 Sep 2026
Synopsis/Details

Peter Bernstein Quartet w/ Sullivan Fortner, Doug Weiss & Kush Abadey 

Jazz guitarist Peter Bernstein is hailed for his precision, his clear tone and his fluent solo playing. On our stage he has appeared in sold-out shows as a member of the triumphant Hammond organ trio with Larry Goldings and Bill Stewart. In New York he has built an impeccable reputation since he was discovered by Jim Hall, who once said: ‘He is the most impressive guitarist I’ve heard. He plays the best of them all for swing, logic, feel and taste.’

Peter Bernstein played as a sideman with, among others, Sonny Rollins, Diana Krall and Joshua Redman. As a band leader he has a knack for gathering big names from contemporary jazz around him. On his most recent album Better Angels, for example, he plays with superstar Brad Mehldau. In his current band he plays with another American piano master, Sullivan Fortner, who is known for his close collaborations with the likes of Cécile McLorin Salvant, Ben Wendel and Roy Hargrove.

Cast

Peter Bernstein: guitar
Sullivan Fortner: piano
Doug Weiss: bass
Kush Abadey: drums

Venue
PORGY and BESS Jazzclub

Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .

The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.

Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "

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