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Wednesday Night Prayer Orchestra

VenuePORGY and BESS Jazzclub
CalendarWed 30 Sep 2026
Synopsis/Details

 

 

When composer and saxophonist Ludwig Bekic founded the sixteen-member Wednesday Night Prayer Orchestra three years ago, they met weekly to play big band music at the Little Stage in Vienna. Initially, the music of the old masters Duke Ellington, Carla Bley, Gil Evans, and, of course, their namesake Charles Mingus, formed their shared musical ground. Through free improvisation and tailor-made arrangements, the goal was to unite the diverse personalities of the Viennese jazz scene within a single ensemble.

This initial exploration was followed by numerous musical excursions. These included delving into the archives of the ORF Big Band, collaborating with Christian Radovan and his music from the Clarke-Boland Big Band, and performing Hans Koller's rarely heard, yet still highly relevant, big band suites.

Cast

Robert Schröck, Ludwig Bekic, Clemens Salesny, Christian Gonsior, Monika Geyer: saxophones
Markus Pechmann, Walter Fend, Thomas Berghammer, Lukas Hartl: trumpets
Karel Eriksson, Matthias Zeindlhofer, Áki Wellsandt, Johanna Martius, Robert Bachner: trombones
Stephanie Weninger: piano
Helene Glüxam: bass
Lukas Aichinger: drums

Venue
PORGY and BESS Jazzclub

Porgy & Bess (actually, Jazz and Music Club Porgy & Bess ) is a jazz club in the Riemergasse 11 in the 1st district of Vienna. The club , founded in 1993 is considered " the most important jazz organizer and trendy meeting point " of the Austrian capital .

The program of Porgy & Bess speaks to a very large audience , about 70,000 guests a year ; is accordingly Jazz " understood very pluralistic ," and the program " even in fringe areas , such as electronic music , contemporary music and world music penetrated . " Many international artists , particularly from the U.S. space , see also Austrian musician here an opportunity to perform . The club also offers the stage for events, such as the award of the Austrian World Music Award.

Musicologist Christian Scheib According to the Porgy & Bess " at the same time essential for the development of the musical ( jazz ) reality of a City" and needs and uses ' plain commonplace as urban space music. " It creates itself " through artistic preferences, acoustic quality , capacity and real capacity, the necessary exclusion of other clubs. " Here, the different areas of the jazz clubs allow - the area in front of the stage with tables, upstairs gallery , a lateral area with a bar at counter - different intense concentration on the concert scene . For Jazzthetik Porgy & Bess is even a " traditional club . "

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